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It's a Remix, Not a Mash Up

Mixing Tunes, Gold Chains, and Day Jobs

Senior Staff Writer

Published: Wednesday, August 24, 2011

Updated: Wednesday, August 24, 2011 19:08

tannone-web

photo: courtesy of Wikipedia

Look closely and you can still see him squinting with sunglasses that provide the ultimate UV protection.


Max Tannone, formerly known as Minty Fresh Beats, is the 25-year-old responsible for 2009's Jay-Z and Radiohead remix album, Jaydiohead. Two years later, while holding down a day job, the DJ is still mixing things up with projects that have included collaborations with the Beastie Boys and Brooklyn rap artist, Richard Rich.

Tannone recently finished Ghostfunk, a remix of Ghostface Killah and funk beats.

 

Advocate: How did you get started? A lot of us found you because of Stereogum.com, back when the Jaydiohead album first came out.

Max Tannone: I used to DJ back in high school—dances and parties in my town. I started experimenting with creating music. This was back when The Neptunes were really dominating the R&B scene back in 2000 or 2001, and I really wanted to learn how to do that—making a hip-hop beat—so I got a computer and just started messing around with it.

As far as mixing Jay-Z and Radiohead, I was just bored and decided to do it one day. I kind of sat on it for a year and then I thought of the name for it. I figured that I should just do a whole project on it.

A: So, how did you come up with your moniker, Minty Fresh Beats?

MT: Well, it's funny because I actually don't really use it anymore. I got a cease-and-desist letter from Minty Fresh Records in Chicago.

After I did the Jaydiohead thing, they sent a letter to my house. It was from a law firm and they said I had to stop using the name or they were going to sue me. All it amounted to was my MySpace page and what I had written on the cover of the Jaydiohead thing. As for where I got it, I don't really know. I just made it up when I was 15 and was using it as my screen name and stuff. Now I just use my regular name.

A: So, did you hear from either of the bands about what you did with the Jaydiohead album?

MT: I never heard anything from Radiohead, but Jay-Z tweeted that he liked it, which was really cool. It was really crazy when I first saw that…just knowing that I reached him. It's just a testament to the power of social media and the internet.

A: Can you talk about what you've been doing since Jaydiohead?

MT: Well, Jaydiohead came out at the beginning of 2009, and since then I've been doing more remix projects. I really shy away from the term "mashup" just because I kind of wince when I hear it. I feel like it carries a negative connotation.

 I mean, you can call it whatever you want, but I guess I'm trying to bridge the line between a mashup and a remix.

 After Jaydiohead, I did a project for the Beastie Boys. They reached out to me and asked if I would be interested in doing a similar project taking all the source material from their Check Your Head record. I took the songs that were more instrumental and used those as the base and put a cappellas from their more rap-style songs over the beats. I called it, Double Check Your Head.

A: Have there been any other notable projects?

MT: I did this other project called Mos Dub, which was Mos Def and dub music—Jamaican instrumental reggae music. Pretty much from the 70s, which was fun. I also did a project called Dub Kweli, which was dub music and Talib Kweli, who works a lot with Mos Def.

A: Do you have any music genres that you wouldn't be caught dead listening to?

MT: I don't know. I'm not embarrassed by anything. Well, this is kind of cliché, but I don't really listen to any country. Other than that, I don't know. If I was dead and listening to country music, I don't know that I'd be upset. Caught me– I'm making a joke.

A: So, what is your background outside of music? Did you go to university or do you have a job on the side?

MT: I went to school to study information technology, but I decided I didn't want to work in that field when I graduated. I did the whole cubicle thing, and I just wasn't happy. I didn't know what I wanted to do. I mean, I know what I want to do now—I want to live off music—but I'm still figuring it out. I didn't get a job off my degree. If the music thing doesn't work out, I might have to. I support college. College is great, but you have to do what makes you happy.

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